Psychedelia is a key ingredient in their sound and a B-sides collection of “alternate” tracks is the perfect place to find some of the Cure’s trippiest stuff

Time becomes relative and you surrender to the experience, track markers and breaks in the music be damned

In his own project, Black Mountain’s Jeremy Schmidt has free rein to craft his own brand of mostly instrumental synth-based soundscapes

The album’s trippy production touches include heavily treated percussion, extended Hendrix-style, fuzz drenched, wah-guitar solos, and strange atonal vocalizations

The band creates memorable tunes that swagger and will themselves into existence despite changing musical trends—pretty much what rock ‘n’ roll is all about

Not only is it one of the finest records released in that bumper crop year, it is surely one of the best classic rock records of all time

No other Aphex Twin album has collected such a nuanced and balanced picture of everything that Richard D. James does so well

Father John Misty doesn’t make psychedelic music per se. What it may lack in acid-rock trappings, it makes up for with insights the artist attributes to his drug trips

As a pop album, it’s a disaster. As a document of Syd Barrett’s splintering psyche, on the other hand, it’s fascinating